The wellspring of Thomas Hardy and Religion is the recognition that Thomas Hardys two late great novels, Tess of the dUrbervilles and Jude the Obscure, are dominated, respectively, by two religious traditions of nineteenth-century Anglicanism: Evangelicalism and Anglo-Catholicism. Placing those movements in their historical context alongside other Victorian religious traditions, the author explores the development of Hardys religious beliefs and ideas up till the 1880s. Evangelicalism in Tess is discussed through an analysis of the principal characters, Angel Clare and his father, Parson Clare, Alec dUrberville and Tess herself, leading to a consideration of why this form of Christianity looms so large in that novel. Not unexpectedly, the reasons for this are linked to Hardys personal and intellectual biography, especially his religious upbringing and experience of and involvement in these religious traditions. This applies to both novels. The sources of Jude the Obscure in Hardys life and thought, and their links to Anglo-Catholicism, are revealed in the context of the influence of that tradition on the narrative and characters, in particular Judes sense of vocation, the importance of the university town of Christminster and issues associated with marriage, divorce and sexuality. Throughout his analysis of both novels the author demonstrates how Hardy lambasts the way in which these religious traditions and the conventional Victorian morality they bolstered undermine human flourishing. Thomas Hardy and Religion concludes by considering the place these two novels have in the continuing trajectory of Hardys theological ideas, underlining the critical importance of understanding his religious concerns and reflecting on the way in which his critique of religion is important to people of faith.

The wellspring of Thomas Hardy and Religion is the recognition that Thomas Hardys two late great novels, Tess of the dUrbervilles and Jude the Obscure, are dominated, respectively, by two religious traditions of nineteenth-century Anglicanism: Evangelicalism and Anglo-Catholicism. Placing those movements in their historical context alongside other Victorian religious traditions, the author explores the development of Hardys religious beliefs and ideas up till the 1880s. Evangelicalism in Tess is discussed through an analysis of the principal characters, Angel Clare and his father, Parson Clare, Alec dUrberville and Tess herself, leading to a consideration of why this form of Christianity looms so large in that novel. Not unexpectedly, the reasons for this are linked to Hardys personal and intellectual biography, especially his religious upbringing and experience of and involvement in these religious traditions. This applies to both novels. The sources of Jude the Obscure in Hardys life and thought, and their links to Anglo-Catholicism, are revealed in the context of the influence of that tradition on the narrative and characters, in particular Judes sense of vocation, the importance of the university town of Christminster and issues associated with marriage, divorce and sexuality. Throughout his analysis of both novels the author demonstrates how Hardy lambasts the way in which these religious traditions and the conventional Victorian morality they bolstered undermine human flourishing. Thomas Hardy and Religion concludes by considering the place these two novels have in the continuing trajectory of Hardys theological ideas, underlining the critical importance of understanding his religious concerns and reflecting on the way in which his critique of religion is important to people of faith.

The Founding of Modern States is a bold comparative work that examines the rise of the modern state through six case studies of state formation. The book opens with an analysis of three foundings that gave rise to democratic states in Britain, the United States, and France and concludes with an evaluation of three formations that birthed non-democratic states in the Soviet Union, Nazi Germany, and the Islamic Republic of Iran. Through a comparative analysis of these governments, the book argues that new state formations are defined by a metaphysical conception of a "will of the people" through which the new state is ritually granted sovereignty. The book stresses the paradoxical nature of modern foundings, characterized by "mythological imaginations," or the symbolic acts and rituals upon which a state is enabled to secure political and social order. An extensive study of some of the most important events in modern history, this book offers readers novel interpretations that will disrupt common narratives about modern states and the state of our modern world.

The Founding of Modern States is a bold comparative work that examines the rise of the modern state through six case studies of state formation. The book opens with an analysis of three foundings that gave rise to democratic states in Britain, the United States, and France and concludes with an evaluation of three formations that birthed non-democratic states in the Soviet Union, Nazi Germany, and the Islamic Republic of Iran. Through a comparative analysis of these governments, the book argues that new state formations are defined by a metaphysical conception of a "will of the people" through which the new state is ritually granted sovereignty. The book stresses the paradoxical nature of modern foundings, characterized by "mythological imaginations," or the symbolic acts and rituals upon which a state is enabled to secure political and social order. An extensive study of some of the most important events in modern history, this book offers readers novel interpretations that will disrupt common narratives about modern states and the state of our modern world.

The 1896 Democratic National Convention simultaneously proposed a radically new trajectory for American industrial expansion, harshly repudiated its own incumbent president, and rudely overturned the party's traditional regional and social hierarchy. The passion that attended these decisions was deeply embedded in the traditional alliances and understandings of the past, in the careers and futures of the party's most prominent leaders and most insignificant ward heelers, and in the personal relations of men who had long served together in the halls of Congress. This passion was continuously on display in the Chicago Coliseum, shaped by the rhythm of parliamentary ritual and the physical architecture of the convention hall. William Jennings Bryan anticipated the moment when pathos would be at its height and chose that moment to give his 'Cross of Gold' address, thus harnessing passion to his personal ambition and winning the presidential nomination.

The 1896 Democratic National Convention simultaneously proposed a radically new trajectory for American industrial expansion, harshly repudiated its own incumbent president, and rudely overturned the party's traditional regional and social hierarchy. The passion that attended these decisions was deeply embedded in the traditional alliances and understandings of the past, in the careers and futures of the party's most prominent leaders and most insignificant ward heelers, and in the personal relations of men who had long served together in the halls of Congress. This passion was continuously on display in the Chicago Coliseum, shaped by the rhythm of parliamentary ritual and the physical architecture of the convention hall. William Jennings Bryan anticipated the moment when pathos would be at its height and chose that moment to give his 'Cross of Gold' address, thus harnessing passion to his personal ambition and winning the presidential nomination.

During the middle of the nineteenth century, Americans voted in saloons in the most derelict sections of great cities, in hamlets swarming with Union soldiers, or in wooden cabins so isolated that even neighbors had difficulty finding them. Their votes have come down to us as election returns reporting tens of millions of officially sanctioned democratic acts. Neatly arrayed in columns by office, candidate, and party, these returns are routinely interpreted as reflections of the preferences of individual voters and thus seem to unambiguously document the existence of a robust democratic ethos. By carefully examining political activity in and around the polling place, this book suggests some important caveats which must attend this conclusion. These caveats, in turn, help to bridge the interpretive chasm now separating ethno-cultural descriptions of popular politics from political economic analyses of state and national policy-making.

During the middle of the nineteenth century, Americans voted in saloons in the most derelict sections of great cities, in hamlets swarming with Union soldiers, or in wooden cabins so isolated that even neighbors had difficulty finding them. Their votes have come down to us as election returns reporting tens of millions of officially sanctioned democratic acts. Neatly arrayed in columns by office, candidate, and party, these returns are routinely interpreted as reflections of the preferences of individual voters and thus seem to unambiguously document the existence of a robust democratic ethos. By carefully examining political activity in and around the polling place, this book suggests some important caveats which must attend this conclusion. These caveats, in turn, help to bridge the interpretive chasm now separating ethno-cultural descriptions of popular politics from political economic analyses of state and national policy-making.

This book describes the impact of the American Civil War on the development of central state authority in the late nineteenth century. The author contends that intense competition for control of the national political economy between the free North and slave South produced secession, which in turn spawned the formation of two new states, a market-oriented northern Union and a southern Confederacy in which government controls on the economy were much more important. During the Civil War, the American state both expanded and became the agent of northern economic development. After the war ended, however, tension within the Republican coalition led to the abandonment of Reconstruction and to the return of former Confederates to political power throughout the South. As a result, American state expansion ground to a halt during the late nineteenth and early twentieth centuries. This book makes a major contribution to the understanding of the causes and consequences of the Civil War and the legacy of the war in the twentieth century.

This book describes the impact of the American Civil War on the development of central state authority in the late nineteenth century. The author contends that intense competition for control of the national political economy between the free North and slave South produced secession, which in turn spawned the formation of two new states, a market-oriented northern Union and a southern Confederacy in which government controls on the economy were much more important. During the Civil War, the American state both expanded and became the agent of northern economic development. After the war ended, however, tension within the Republican coalition led to the abandonment of Reconstruction and to the return of former Confederates to political power throughout the South. As a result, American state expansion ground to a halt during the late nineteenth and early twentieth centuries. This book makes a major contribution to the understanding of the causes and consequences of the Civil War and the legacy of the war in the twentieth century.

In the last decades of the nineteenth century, the United States underwent an extremely rapid industrial expansion that moved the nation into the front ranks of the world economy. At the same time, the nation maintained democratic institutions as the primary means of allocating political offices and power. As the combination of robust democratic institutions and rapid industrialization is rarely found in world history, this book explains how economic development and democracy coexisted in the United States during industrialization.

Follow-on from the 1986 film 'FX - Murder by Illusion' in which Tyler (Bryan Brown) is now semi-retired. However, he is talked out of the quiet life after five years and into taking part in a police-sting operation by his girlfriend's ex-husband. When the latter is murdered, Tyler investigates, with the help of his old police partner (Brian Dennehy) and soon they are trapped in a dangerous web of murder, treachery and deceit.

In the first FX movie, special effects expert Rollie Taylor (Bryan Brown) is hired to fake a gangster's murder, but it soon becomes clear that someone wants Rollie dead. He has to use all his special effects skills to stay alive. The sequel has the special effects man called out of retirement to take part in a police investigation.

An unabridged reading of this classic novelisation of an adventure featuring the Third Doctor, as played on TV by Jon Pertwee. 'Axos calling Earth, Axos calling Earth...' The creatures stood before them, offering friendship and their priceless Axonite, in return for - what? Only the Doctor remains suspicious. What is the real reason for the Axon's sudden arrival on Earth? And why is the evil Master a passenger on their spaceship? He very soon finds out... Duration: 3 hours 40 mins.